A “behind closed doors” relationship comedy about an awkward reunion dinner between three flawed brothers who all have a hidden agenda. The evening descends into chaos when the woman they all love announces her pregnancy without revealing the father’s identity. —– Perfect Present is a heady cocktail of unrequited love, sibling rivalry, adultery and a dash of lies, big and small, that swirls together to become a bitter-sweet toxic potion that three estranged brothers – and the single most important woman in all their lives – are forced to consume in one sitting during an epic family reunion dinner gone astray. Silverware clashes, pretentious wine is spilled and dreams and dinner plates are shattered alike as the three brothers are forced to confront their mistakes of the past. But when the deepest of all family secrets slowly unravels, they are forced to reconsider a radically different future as well – with or without each other.
“Then an uncle took me away, to a distant village, and they put the collar on me … I was very small. Now I am 12 years old “. The story of those who try to wipe the tears of little girls like Stella, to make them dream again. A journey among the Burmese refugees Akha, the opium trafficking, the slavery of girls in the “giraffe women” village, the victims of trafficking, the friendship of a small group of nuns with a Buddhist monk. In the Golden Triangle, a meeting point between Laos, Myanmar and Thailand, famous for the news even for illegal trafficking, stories of tears and dreams are intertwined. The Hakha, the Lahu, the Kajan are Burmese tribes of Chinese origin. Persecuted, often in extreme poverty, refugees without status … The Sisters of Providence, three Burmese, one Chinese and one Brazilian, in collaboration with the Buddhist monk Ven. Chaiwat, engage in the path of dialogue and to give girls a dream. They work relentlessly against trafficking to make girls and boys free from the chains of slavery and the consequences of drugs … Now they have a dream: to build a restaurant, the “Inn of Happiness”, to give girls a future.
Thousands of children, some as young as two, were trafficked to work as camel jockeys in the Middle East. At the training schools, they were starved, injected with hormones and physically abused. Many died. Even more never returned. Even though the use of children as camel jockeys has now been banned, many suspect the practice is still continuing. We hear the stories of the children whose lives have been marred forever by their experiences. DIRECTOR: VIC SARIN/ PRODUCER: filmblanc.
This is a documentary that had to be made! Twice Academy award nominee and five times AFI winner David Bradbury’s latest contribution, A Hard Rain, explores the ‘other side’ of the nuclear debate.
Governments and most mainstream media are promoting that nuclear is now an attractive alternative to fossil fuels – the magic fix that will save us all from global warming. Nuclear power has taken on a clean and green spin from the low point 20 years ago which saw the Chernobyl meltdown.
Traversing five countries – China, France, UK, Japan and Australia, and using what Bradbury learnt from his previous three nuclear documentaries (Public Enemy Number One, Jabiluka and Blowin’ in the Wind), A Hard Rain takes a closer look at the global nuclear industry in its entirety – from the mining of uranium through to the nuclear power plant to the radioactive waste and weapons manufacturing. It exposes the hidden agendas behind this latest push for Australia to go nuclear.
Included are interviews with some of the world’s top scientists and environmentalists on the subject such as Dr Rosalie Bertell from Canada, Dr Chris Busby from the UK, and from Australia, Dr Mark Diesendorf (Ex CSIRO) from the Environmental Institute at the University of NSW, Prof. Ian Lowe, President of the Australian Conservation Foundation, and Dr Gavin Mudd from the Monash University Engineering Department.
Interviews with traditional owners who have been locked out of genuine consultation with what is happening on their country is also included in this film.
By looking at the experience of countries overseas that have gone nuclear, A Hard Rain debunks some of the myths of the nuclear industry: that nuclear is safe, cheap, health and green with little chance of another Chernobyl happening.
If you want vital and factual information to debate the issue intelligently and overthrow the myths that the nuclear and pro uranium mining lobby has so successfully implanted in the media, in the government and the Labor Party, then this documentary is a must see.
The struggle of the Mirrar Aboriginal people against the Jabiluka uranium mine, in the Northern Territory…. Jabiluka is about us, blackfellas, whitefellas together… and our belief in the future of our nation…
Currently Energy Resources of Australia (ERA) is pushing to open a new uranium mine that is surrounded by the World Heritage listed Kakadu National Park. The traditional Aboriginal owners have told the company and the government that they do not want this mine. They are concerned about its effects on their country and culture. Environment groups and many others are also working to stop Jabiluka and other new uranium mines.
Many Australians are asking how can we threaten the cultural and environmental values of our most famous world heritage listed national park… Kakadu? How can we put at risk the culture and the lives of the indigenous people of Kakadu with a new uranium mine at Jabiluka?
The Federal Government of Australia, the government of the Northern Territory, mining company Energy Resources of Australia (ERA) and the Northern Land Council all want uranium mining to go ahead at Jabiluka… but the Mirrar people are saying ‘No’.
Since the Ranger mine at Jabiru was given approval in 1978 Mirrar opposition to the proposed Jabiluka mine has strengthened… 19 years on. Living and social conditions amongst Kakadu’s indigenous population have worsened and the people are deeply concerned about the impact of mining on their lives and the unknown consequences of storing crushed and pulverised radioactive wastes on their land.
In the culture of the Mirrar. Jabiluka is so sacred not even traditional owner Yvonne Margarula can speak about it. And yet knowing this the Federal Environment Minister Robert Hill has given the green light to the Jabiluka mine… despite the negative findings of a Social Impact Study and warnings from his own departmental bureaucrats that the mining company’s Environmental Impact Statement was deficient in key areas.
Jabiluka is the first of 26 proposed new uranium mines the Howard Government has before it for approval. In this important new film twice Academy Award nominated director David Bradbury captures the controversy over Jabiluka.
The Jabiluka mine will be underground, below the flood plain in an area infamous for it’s big wet season… and beside Kakadu’s famous wetland. ERA plans to clear a mine site and bulldoze a road 22.5 kilometres long to truck the ore to the Ranger mine where it will be processed into yellowcake and then exported.
ERA’s Philip Shirvington (CEO sees management of the mine as a simple matter a job they do well: ‘We don’t add any radioactivity to what’s already there naturally.’ he says. But ‘not so’ say the traditional owners, scientists and environmentalists… who are concerned that the tailings will remain radioactive for the next 250.000 years.
The film Jabiluka clearly shows how the Mirrar were given no choice over the Ranger mine, how they were caught in a misleading process to consent to a lease over Jabiluka… and how today they are resisting those same pressures to allow mining to proceed.
The story of Jabiluka is also significant because it raises questions about the real value of ‘Land Rights’… the Mirrar people now own their land but are wondering whether that actually means anything. On December 16 as part of her steadfast campaign Yvonne Margarula will take her case to the Federal Court of Australia to prevent the Federal Government granting ERA approval to export uranium from Jabiluka.
She must continue the fight first taken up by her father Toby Gangale… for the right of her people to live in harmony with 40,000 years of cultural tradition. “We know we own the country” she says. “We know. We born the country, and we live the country. It is our country… black country… not white country.”
In 1978 Professor Manning Clark visited the ‘Top End’ and was left with an enduring impression of its abundant cultural treasures, of its pristine wetlands and majestic escarpments. Following that visit he stated clearly his opposition to mining Kakadu.
“It would be an evil day in the history of this country if the white man once again showed the black man that nothing else mattered except material grandeur.
Is it too much to hope that the natural paradise of Kakadu National Park might be a setting not so much for a human paradise but at least a place where the white man and the black man can at last live in harmony with each other?”
Every year, hundreds of thousands of Africans risk their lives trying to get into Europe. This is their story. We follow a convoy of young migrants. First came the hopes and idealism of the journey’s start. They were going to be the lucky ones who overcome all the odds to build a new life in Europe. Next came the growing comprehension of just what they had undertaken. The loss of their money in bribes to corrupt officials. The dried-out bodies of other migrants in the desert – a constant reminder of what would happen to them if they ran out of water. Then came the hell of Libya’s internment camps. The squalid conditions and beatings. And finally, the bitter knowledge that they are simply pawns, to be used and abused by every authority they encounter. And the sickening realisation that they have lost the biggest gamble of their lives. DIRECTOR: ALEXANDRE DEREIMS.
When the Dust Settles combines comedy and serious content to explain the dangers of uranium mining, the nuclear fuel cycle and the use of depleted nuclear materials – much of which originates in Australian uranium mines – in weapons production. It is presented on location at the Olympic Dam and Ranger uranium mines and Roxby Downs, by veteran Australian actor, and former electrician, Tony Barry. Academy Award nominee and internationally-respected Australian filmmaker, David Bradbury, of Frontline Films, was director. Other participants include Canadian nun, Dr Rosalie Bertell (who led an international team into Chernobyl), Dr Helen Caldicott (paediatrician and high-profile anti-nuclear campaigner), Dr Peter Karamoskos (nuclear radiologist and specialist in the health effects of radiation, including low level radiation), and a representative of the uranium mining industry. The film is based around a family, the Sparkies – played by Austen Tayshus, Mandy Nolan, Zoe Hutchence and Dylan Bradbury – who consider taking the big money on offer for electricians in the uranium mining industry until their son confronts them with the health and environmental risks.
They call it ‘Arc of Fire’. It’s the biggest operation against illegal logging in Brazil’s history. And its mission is to save the Amazon. Since April 2008, Federal Police, National Security Force Agents and the Environmental Protection Agency have been conducting joint operations against the timber mafia. It’s been dubbed the first ecological war of the 21st century. Hundreds of armed policemen scour the Amazon by helicopter, looking for signs of illegal deforestation. Already, they’ve imposed millions of Euros in fines, dismantled illegal sawmills and razed thousands of charcoal ovens to the ground. But locals, who rely on the lumber industry, claim Operation Arc of Fire is driving them to destitution. Director: Alexander Bouchet.
It’s an old story with a perverse new twist. Before, it was known as the transatlantic slave trade. Today, it’s just called business.
This is the compelling story of the international web of speculation and trafficking in African boys, under the guise of international football.
Every African boy dreams of being scouted for a Western club. Football means a way out of poverty for their entire families: a passport to a new life. But most of the boys are simply pawns in a cynical game governed by self-interest and money. Tricked out of thousands of euros, they end up abandoned in foreign countries. We travel from the slums of Accra and Abidjan to the petro-dollar sports temples of Arab potentates and unravel the networks ensnaring these African boys. Directed by Pascale Lamche.
Between 400 and 800 French farmers commit suicide every year. In 1999, the father of director Edouard Bergeon became one of them. Decades later, Bergeon returns to his roots in Southwest France to follow the Itards, a family of farmers, for 14 months. Their story provides a microcosm of the crisis engulfing farmers across Europe today. While telling their story, Bergoen tells his own. Directed by Edouard Bergeon.